Papi is very dedicated to and takes good care of his elephant car, Paola, and becomes vengeful whenever Popee defaces her. He becomes very upset when Popee proceeds to smack the bottle from his hands, shattering it when it hits the ground. In the episode「SLEEP」, when Kedamono winds a music box to help Popee sleep, Papi's maternal instincts kick in as he tries to feed Popee with a bottle. With his paternal side, Papi believes Popee has a long way to go.but with his maternal side, he also thinks that Popee's very cute. Papi accepts both the negatives and positives of those he loves, which is why his son, Popee, doesn't shy away from jealousy or envy (or other negative feelings), which typically leads to destruction. On the other hand, paternity, according to Masuda, is the power to "choose and move", and is characterized by weighing the negatives and positives and then making a decision, or judgement. Ryuji Masuda explained on twitter that the difference between the two is that maternity is the power to "produce and affirm", and is characterized by unconditional love. Papi was thought up as a character with both paternal and maternal qualities. Papi is dedicated to improving Popee's clowning performances, though his lessons are often extreme and unorthodox. Unlike his son, Papi seems to genuinely care about both Popee and Kedamono. Papi had hair when he was younger, but he may be bald now. He also sports a removable sun-shaped headpiece (which "puffs" up when very mad, and it also can be used as a weapon of sorts, like a shuriken) and an impressive, emotive mustache. Papi has a muscular body and wears a yellow and orange skin-tight harlequin outfit with a purple fringe and fancy white gloves.
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